Directed by William Nigh; produced by Walter M Mirisch
Tom and Ann Quinn (Don Castle and Elyse Knox) are a couple of professional dancers who are down on their luck. Tom is unable to find work, while Ann’s only employment has been as an instructor in a dance school, frequented principally by lonely men. Things change when Tom finds $2,000, seemingly by chance; after attempts - admittedly not very serious - to find the money’s owner, the couple keep it, buying a few luxuries before their planned trip to better times in California. That’s when Tom is arrested for murdering a reclusive miser, the charge resting on a pair of dance shoes that had gone temporarily missing.
Though the most exceptional thing about I Wouldn’t Be In Your Shoes is the title (for once, a film noir title isn’t generic, and actually relates to the movie), it is an mildly interesting, watchable picture. Nothing is outstanding, but neither is anything off-putting.
The story is adapted from a tale by Cornell Woolrich, an abundant source of film noir B movies. The least feasible part is the circumstantial nature of the evidence against Tom Quinn. This is cited by several characters, including, astonishingly enough, the policemen who are convinced of Quinn’s guilt, based solely on that evidence. As well, the real villain becomes obvious a little too soon.
The script is better than the story, though how much came from the original tale and how much from the screenwriter, Steve Fisher, is impossible to determine. The dialogue, especially between the married couple, is easy and natural. The script is interesting due to the sympathy it evokes for the prisoners depicted on death row, their situation causing a camaraderie and sensitivity among them.
The acting is typical B movie talent, the only face recognisable, at least to fans of old cinema, is Regis Toomey, who played everything from comic relief to menacing villain. Here, he is a significant character, a dogged police detective. His rôle is one of his bigger, and, to judge by screen-time and significance to the plot, he perhaps should have had higher billing than Don Castle.
The direction by William Nigh (not the Science Guy, and not the very talented British actor Bill Nighy) is adequate, making good atmospheric use of the cheap production values. In particular, the one-room apartment to which the Quinns are reduced gives a good impression of the constricted home-life led by too many in society. The contrast between that room and a modern, well-appointed suite seen at the end of the film is used to good effect. This was Nigh’s penultimate direction; he had directed his first picture in 1914.
While I Wouldn’t Be In Your Shoes is nothing memorable, it is a decent crime-drama, with some good performances, notably by Toomey.






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